According to the Lobster Institute at the University of Maine, 183 million lbs of lobster are caught annually in the US and Canada, of which 25 per cent are sold live.
Everyday the world is losing plant and animal life. All living things are dependent upon one another to survive. This article lists different sites that can be access to inform the reader of the serious nature of this problem and ways in which this problem can be addressed.
Leghold traps are one of the cruelest methods imaginable for catching animals. It does not matter if the animal is the lowliest mole or a beautiful wolf. The animal experiences the most excruciating pain when the trap springs shut. It is then subjected to predators, inclement weather, suffering and terror.
If or when a person checks the traps, the animal will be killed, not always humanely. Often they are just left to die in agony. Traps are indiscriminate. Non-targeted animals are often caught, such as endangered species and pets.
Cruelty to Animals
Commercial fishing is cruelty to animals on an almost unimaginable scale. Fish look so unlike humans that many people don’t realize that they feel pain, just as we do and lead complex intellectual lives that rival those of dogs and some other mammals. The way that these animals are treated by the commercial fishing industry should make animal lovers everywhere give up their taste for fish flesh for good.
Commercial fishing has become a big business, and the methods used to catch and kill the animals are as cruel as those used by factory farmers or slaughterhouse operators. In fact, the methods used to kill fish indicate that commercial fishers see their prey as no more sentient than rocks on a mountain—and the horrible cruelty that they inflict on hundreds of billions of fish is completely unregulated.
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Henri Marie Raymond de Toulouse-Lautrec-Monfa or simply Henri de Toulouse-Lautrec (French pronunciation: [ɑ̃ʁi də tuluz loˈtʁɛk]) (24 November 1864 – 9 September 1901) was a French painter, printmaker, draftsman, and illustrator, whose immersion in the colourful and theatrical life of fin de siècle Paris yielded an œuvre of exciting, elegant and provocative images of the modern and sometimes decadent life of those times. Toulouse-Lautrec is known along with Cézanne, Van Gogh, and Gauguin as one of the greatest painters of the Post-Impressionist period.
Physically unable to participate in most of the activities typically enjoyed by men of his age, Toulouse-Lautrec immersed himself in his art. He became an important Post-Impressionist painter, art nouveau illustrator, and lithographer; and recorded in his works many details of the late-19th-century bohemian lifestyle in Paris.When the nearby Moulin Rouge cabaret opened its doors, Toulouse-Lautrec was commissioned to produce a series of posters. Thereafter, the cabaret reserved a seat for him, and displayed his paintings.Among the well-known works that he painted for the Moulin Rouge and other Parisian nightclubs are depictions of the singer Yvette Guilbert; the dancer Louise Weber, known as the outrageous La Goulue (“The Glutton”), who created the “French Can-Can“; and the much more subtle dancer Jane Avril.
Paris 1900 – Forever